Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

26.3.13

A Dark and Deadly Song

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A Dark and Deadly Song

by Amelia Robinson

March 24, 2013
Ball Challenge, Figment.com

Prompt: Write an opening scene for a novel. Your scene should begin in the middle of the action—and there should be an unanswered question. Why is your character being chased; crying hysterically; hiding in the bathroom? It’s up to you what the “ball” is—just make sure to hide it!

Word Limit: 500 or less

Description: A boy finds the victim of a vicious werewolf attack.
Her gasps were wet because half her throat was gone.

I took a cursory glance over the rest of her body because I knew Doctor Graham would want to know the details. It was the smell that kept my stomach in my mouth. Blood, human blood especially, brought on the swelling desire for the hunt, and when you went your entire life eating things well cooked, suddenly taking a fancy to raw meat came with some adjustment.

Though my wolf roused at the thought of soft flesh, I couldn’t do more than glance over the exposed innards of her belly.

I swallowed, then grimaced as the scent of death slid into my gut.

Just concentrate.

In addition to her belly, her sternum had been split open. It started at her left collarbone, drew across her chest, then tapered off after slicing through several ribs on her right side.

A hip bone poked out. So did a knee cap. A bit of her thigh muscle was gone on both sides, and both of her calves were broken.

I didn’t remember my attack being so vicious, but then again, I’d been a wuss. I’d lost consciousness soon after my attacker loped away.

The girl gurgled, like she was trying to speak.

I knew there was damage to her face. There was always damage to the face. I could see the stark contrast between the white sheet of her skin and the dark swath of blood in my peripheral vision, but I couldn’t… I swallowed death again, and wished fiercely that Steven were here to do the honorable thing: talk to her, smooth her hair off her forehead, and ease her passing.

I remembered my attack. That moment just before slipping into blackness when I was so sure – so sure – that I was dying, and being consumed by fear and pain because there was nothing I could do but die.

I’d be a real bastard if I couldn’t even bring myself to look at her as she died.

Her eyes were closed, gripped tight with agony, but it was as if she sensed my gaze because her eyes blinked open.

White bone flashed under the torrent of blood flowing from a gash to her forehead. It slipped over her face, pooling in the corner of one her eyes. Her eyelashes were wet and clumped.

Though her lip was split, the corners of her mouth jerked up briefly, shakily, bravely. Like she was glad I was there.

When she died, the blood flowed into the whites of her eyes, unchecked. I shifted away from her. My heels were sore from kneeling.

Then she gasped and her body arched. I fell away from her, catching myself on my hands.  Her eyes were wide, same as her mouth, as she yanked air into her lungs.

As her body began healing, I watched as her eyes glinted suddenly in the moonlight, and they were no longer blue, but gold.

The Change had taken hold of her.
*  *  *

Please feel free to share your thoughts in the comments.  I'd love to hear back from you.  :)  Thank you for reading.

21.7.11

Writing Breaks: The Frustrating Kind

I've started a new story (secret codename: TOLT).

Finding this story's beginning was a pain.  It started with getting stood up and discovered, then waiting for a late friend and witnessing murder and then doing a favor for a friend, witnessing a murder, and being chased.

Version #1: 17 pages
Version #2: 6 pages
Version #3: 0 pages

The reason for the 0 pages is because I haven't started writing the third version yet.  I've got the entire first scene in my head and I know from experience that if I run through it mentally over and over again, it will be that much easier to write.

I find it annoying that I spent 17 pages writing only to discover that it was wrong.  Then another 6 pages to find out I was still wrong.  If I write more than ten pages this time and discover I was wrong again, I'm going to go postal on my characters.

Jeepers.

10.4.11

On Writing & Winging It

Winging it

So now you should take into account the fact that I write about the more boring stuff first.  Little quirk of mine.  I’m one of those people who would rather open with something dreadfully boring and end with something that makes you excited, rather than the other way around.  Cause let’s face it.  One of the two topics has to be more boring than the other.  Cause you’ll probably identify easier with one than the other and yadda, yadda, yadda…

^^^That is what happens when I wing it.

winging it v.

to improvise with little preparation

I’ve had way too many opportunities to “wing it” for a few months now.  A Vietnamese girl moved into my neighborhood and while her English has improved greatly in the past few months, she’ll ask me for definitions and what stuff means.  Some of them leaving me like:

Ummmm….

Not only do I always end up feeling like a complete disgrace to my bookworm soul but I look like a freaking idiot all the time.  A few of them I can totally dominate.  For example, she told me she heard people say “he was like/she was like” in their conversations.  I explained to her that it meant they were repeating what someone said and it could mean someone’s way of saying it.  I told her, “He said and He was like is same.” 

But when she asked what the difference was between “will” and “will be” I was like….*crickets chirping (probably laughing at my blank expression and bumbling attempts at explaining)*….I had noooo clue what the difference was grammatically.  I mean, I do in Latin because that’s my foreign language at school but I didn’t know if it transferred to English.  Besides, I didn’t think that saying, “Oh, one’s active, one’s passive,” was gonna help her that much.

I can really admire people who keep their cool ALL THE TIME and never get flustered.  I watch those people with envy and worship them from afar.  I can wing it sometimes (I did a freaking awesome Civil War presentation in front of my APUSH class that went incredibly well, with a few winging moments.) but sometimes, I’m shut down because I can’t think of a rebuttal.

On Winging it…Any thoughts?

Writing

^^This is classified as my less boring subject of the two.

I am ever envious of authors—of any kind.  Even if I don’t like their stories.  Even if I’ve never read their stories.  The mere fact that they actually got their story down, finished it, polished it, got it published…that it an incredibly awesome feat.  I’ve heard authors advise others not to be the person who rewrites and rewrites their stories to death.  Well, what about actually getting your story down?  And essentially, what about finding the story you can stick to?  I know they say that you write the one that never leaves your mind, blah blah blah.  Well, I have all kinds of characters lining up at the door, all clamoring, saying that they are The One.  All of them come with some kind of baggage.  Here’s the routine: I invite them in, sit them down, ask them about their life.  Their stories are interesting, and we have a lovely little chat even though nothing of real significance happens.  Like a blind date where there aren’t any sparks.   And occasionally, I’ll have one of them come in and they’ll have a great story and we’ll hit it off…but after the first two weeks, the cracks begin to show and the luster wears off…

What then?

It makes me think that all these authors are something special because they’re so graced by the Writing Gods to have such interesting “dates”.  Imagine only having to invite one or two people in and BOOM!  You hear the Mighty Click and an eternal union is now in the immediate future.  What a spectacular thought!

So I’m Mighty-Clickless.  I get a character with baggage but can’t keep them in the car with me on the Highway of Life for more than a couple of hours.  After they’re subjected to getting kicked out, I ride for a few hours and think about the search for The Formula.  Such a silly fantasy, but something has to give right?

Sometimes I think that nothing’s coming to me because I’m Not There Yet.  As in, I haven’t had enough experiences in life to have anything to make work.  Have I ever been kissed?  Nope.  These are virgin lips.  Ever had a boyfriend?  Nope.  No one’s stepped up for that one yet.  Can I even drive?  Dude.  Circumstances.

Imagine my Sigh of Epic Proportions here.

I think Alexandra Bracken is my New Favorite Author.  I just finished her debut Brightly Woven and was completely blown away.  She’s the only author whose blog I follow with any regularity because she sounds so real.  She’s just out of college, doesn’t have kids to worry about, she still sounds like one of Us.

I recently Justine Larbalestier’s article on How to Write a Novel.  In there, she said something that I think I could get behind.  Especially the first part.

If you have no particular story to tell, then borrow one from someone else. This has worked pretty well for Shakespeare and pretty much every other great writer. The bible is good for plots, as are myths, fairy tales, legends, ballads, pop songs, and crappy movies that didn’t quite work (rewrite them so they do).

So I was thinking about which authors whose writing I absolutely adored.  Reading those books before I write something tends to ensure that I write better.  But another problem: which style do I want to mimic?  For real.  All these authors write a different way and all of them are strong in different ways, too.  Becca Fitzpatrick is edgy and sarcastic.  Maggie Stiefvater is lyrical and heartbreakingly honest.  Anne Osterlund makes you want to cry with or for her characters.  Kristin Cashore is solid and ethereal.  Cinda Williams Chima creates worlds like no other.  Melina Marchetta writes with raw honesty.  Maria V. Snyder is clever and magical.  Sarah Dessen is realistic and true.  V. Briceland brings everything alive.

Hopefully, you’re beginning to see my problem.  (Though this reminds me that I really need to reread a Sarah Dessen novel.  Am I the only one psyched for her new book?!)

So now I’ve got a ungodly long list of authors whose writing I love.  The same process would be done for characters.  THAT one would be long.  Especially if I do an entire subgroup on character couples.  Then I could move on to those whose plots I drool over…

You see how easily I can make this complicated?  I mean, good Lord have mercy upon me, I have way too many stress lines for a sixteen-year-old.  I just really want to pull out a story, have it down down down and make it mine.  I want to be able to say, “I did it!  I did it!  I did it!  Hahahaha!” and do a ridiculous happy dance.

In conclusion (cause this is getting waaay too long)…I guess I’m going to start with a story I love that I can mimic.  Because as I was (well…don’t worry about what I was doing)…I was having this internal debate in my head that featured me having just published and awesome book and a critic, saying that my whole story is unoriginal.  In my head (because apparently I can only be this witty in my head), I say to the critic, “Fiction is chockfull of archetypes, stereotypes, clichés and bad movie references.” And then I would go on to let him draw his own conclusions.

I don’t know what I’m still doing here.  I really need to write something fictitious down.